I use Artemis Hight at 100% (720x576 or 768x576 square pixel) or Artemis Hight + another model which removes a maximum of artifacts because then I use Iris to upscale to HD (the secret is to be able to have a clean video before upscaling, an SD video without artifacts and with maximum detail, which allows you to use iris by being able to increase details, dehalo, sharpness without increasing artifacts because of upscaling).
neat video is a powerful plugin, but it may require more resources than vai. I have almost never used it alone with Vegas, but always with dozens of filters. and when i preview or produce with vegas (hd) i am at 3 or 4 fps (gtx 1660, ryzen 7 2700), i think with neat video alone i can be at around 15 fps) but neat video is a plugin available for these software:
on the other hand neat video is quite hard to configure well when you don’t know, and everything is based on a noise profile that you define by making selections on parts of an image (light tones to dark tones) so it’s is a little tedious, a profile which is displayed in percentage, and the higher the definition of the video, the simpler the creation of the profile, with an SD video, it is quite complicated and it is better to define several profiles depending on the scenes , I rarely reached 100% on a profile with an SD video, I achieved it on part of the video with a clear sky between blue and orange (for the selection of the frame to apply in the image to create a profile, it must be green and it takes up a good part of the image (here a basic profile at 61%):
look here on this scene, the frame does not pass over a totally uniform area, so not great for properly analyzing the noise so it warns that it is not uniform in the luminance:
here, the same scene a few images later, the frame passes, it shows me a good profile (66%) it’s quite good and a little better than the first scene with its 61% because there are quite a few light and dark areas. there are a few points in the red green blue areas that we can complete (the more points we fill in manually afterwards, the better the percentage of the profile):
here, the same scene as before, with the same selection but tweaking the missing points, (it goes up to 75% because I filled a few squares, we fill them by selecting small areas in the image (smaller than for make a basic profile) on the right, circled in red, this is the quality of the profile, circled in green these are the points that I cannot complete because it goes quite black in the RGB range, and not white enough either . the double arrow in black is the color intensity curve (from dark to light tone):
now here’s why it’s more precise when the definition of the video increases (the frame goes into a slightly larger definition and given that the noise is therefore a little finer, the profile is basically of better quality):
on this scene for example, even if HD the frame is in yellow, therefore too small for analysis, which gives a bad profile (46%) and which will lead to too much loss of detail:
That’s basically the creation of a profile with neat video, then there is the whole part of the settings on temporal and spatial denoising with various options, and quite a few options, which makes neat video still powerful , and when we have a profile set at 75%, (hd) in the case of this scene here, here is what it gives (mix with the original at 75%):
(with a profile set to 100% there will be less loss of detail) so here is this profile that I made is only at 75% but it gives an overview of the power of neatvideo, it denoises very well but it does not remove the large artifacts that can be seen on the edges of the boat’s windows. or to remove them, you have to push the sliders which leads to losing more detail