Chromaster v2.0 : The ultimate companion Topaz Video / Video AI deserves

Chromaster — Bare-metal SVT-AV1 encoder built for Topaz Video AI users

Tired of losing HDR metadata. Tired of guessing scaling algorithms. Tired of bloated GUIs hiding what matters.

So I built my own. This also should be your BEST companion for Video AI or Topaz Video, because, I mainly first coded it to polish and fine tune the final video file to get a full ITU-R compatible file.

Chromaster — a native Windows SVT-AV1 frontend. Written from scratch in C + Direct3D 11 + Direct2D.

  • No Electron, no QT : No hungry framework
  • No runtime dependency beyond Windows SDK
  • Raw Win32, GPU-accelerated pipeline, screen vsync fps, zero per-frame allocation

Designed specifically to re-encode Topaz Video AI output with surgical precision.


1. Media — Full transparency on your streams

  • This tab is the equivalent of MediaInfo on steroids : Full JSON tree view of source & destination streams — every field, every flag, nothing hidden
  • Source codec, profile, resolution, pixel format, color space, transfer, primaries, frame rate, field order — all visible at a glance
  • Destination shows the actual AV1 output with all encoding parameters
  • Dependencies version-checked at startup: FFmpeg, SVT-AV1, FFprobe, MKVmerge
  • Update notifications when a newer version is available
  • Color-coded container & codec badges : MKV, MP4, WebM, IVF, and so ono each have their own color. Same for codecs (H.265, AV1, HEVC…). Spot your format instantly without reading a single label.

2. Crop — Detect, trim, visualize

Not just a rectangle overlay. A perspective trapezoid showing each edge being trimmed, with directional controls and x2–x32 zoom.

Black bar detection

  • Automatic detection — pixel-level scan on source thumbnails
  • Configurable black threshold slider (how dark is “black”)
  • Aspect ratio presets — Native, 16:9, 21:9, 2.39:1, 4:3, 1:1
  • Symmetric crop toggle — lock left/right and top/bottom margins together
  • Input vs Output resolution displayed — see the exact dimensions before and after cropping
  • Status bar reports detection result in real-time

Three visualization methods

  • Chunk — zoomed source image, pixel by pixel. See the actual content being removed.
  • Average — average color per row/column. Instantly reveals banding or color shifts at edges.
  • Peak — brightest pixel per row/column. Catches hot pixels and encoding artifacts at frame borders.

3. Smart Algorithm Selection — Tell it what you want, not what to use

This one doesn’t exist anywhere else.

The idea: stop reading academic papers to figure out Lanczos vs Spline36 vs EWA. Instead, describe what you care about using 7 visual score bars:

  • Sharpness
  • Anti-ringing
  • Texture preservation
  • Smoothness
  • Gradient handling
  • Speed
  • Isotropy

Chromaster cross-references your priorities against 14 scaling algorithms — from Area and Hermite all the way to EWA Lanczos 4 Sharpest — across 3 context modes:

  • Generic — general purpose
  • Upscale — optimized for enlargement
  • Downscale — optimized for reduction

Result: automatic best-match recommendation. No guesswork.

Smart Resolution

  • 8px alignment enforcement — output dimensions automatically adjusted to codec-compatible multiples
  • Visual validation: “960 x 536 is aligned to 8px”
  • Prevents encoding failures from misaligned resolutions

Zoom Preview + Before/After

  • Draggable selection rectangle on source frame
  • x2 to x32 magnification
  • Live BEFORE/AFTER split — left = source (nearest-neighbor), right = processed (linear interpolation)
  • Pixel-level comparison in real-time

Thumbnail Strip

  • Dynamic thumbnail generation across the full timeline
  • Click any thumbnail to jump to that frame instantly
  • Timestamp + frame number navigation bar
  • All of this in a 750 KB application. No preloaded cache, no bloated asset pipeline.

4. HDR Chromaticity — CIE 1931, live, interactive

CIE 1931 Gamut Diagram

  • Real spectral locus, drawn pixel-perfect on CPU framebuffer
  • Source & destination gamut triangles (BT.709 / BT.2020) with labeled primaries
  • Multi-pass diffuse glow on labels
  • Not a static image — rendered in real-time every frame

Saturation Graph

  • Full-timeline saturation analysis
  • Spot chroma clipping or gamut excursions before encoding

Colorimetry Panel

Every HDR parameter exposed and editable:

  • Primaries, transfer function (with human-readable description: “SMPTE ST 2084 (PQ/HDR10)”), matrix coefficients
  • Color format, color range (“Limited 16-235” / “Full 0-255”), bit depth, chroma position
  • Mastering display metadata — R, G, B, White Point, Luminance with parsed color-coded coordinates (x=0.64 y=0.33 etc.)
  • Mismatch warnings — source says BT.2020 but transfer is BT.709? Flagged immediately.

5. Luminance & Scene Intelligence

HDR Waveform

  • Logarithmic scale, 0.1 to 10,000 nits
  • Per-frame luminance map across full timeline
  • MaxCLL and MaxFALL reference lines
  • Rasterized scanline-by-scanline on CPU framebuffer — not a simple histogram

HDR Parsing

  • Parse HDR before encoding toggle — automatic pre-analysis or manual values
  • Parse HDR button — trigger analysis independently and immediately, no need to start an encode
  • Human-readable descriptions: “7542 nits peak brightness”, “170 nits avg brightness”

Scene Change Detection

  • Frame-level granularity across full timeline
  • Scene change threshold reference line
  • Magnetic cursor — snaps to nearest detected scene boundary
  • Essential for tuning lookahead, temporal filtering, keyframe placement

6. Full SVT-AV1 Encoder Control

Every SVT-AV1 parameter, organized into logical groups with human-readable annotations:

  • Rate control — CRF / VBR / CBR / CQP with adaptive quantization
  • Encoding target — preset (14 levels from “Slowest, uber quality” to “Fastest”), CRF, QP, max bitrate, target bitrate, MBR overshoot
  • Motion — scene change detection (“Adaptive keyframe insertion”), lookahead, temporal filter, hierarchical levels, startup MG size
  • Variance — variance boost (“Boost complex regions”), strength, octile, alternate boost curve
  • Psychovisual enhancement — tune (VQ/PSNR/SSIM/IQ/MS-SSIM), QP scale compression, AC bias (“Moderate HF preservation”), max TX size, adaptive film grain
  • In-loop filtering — CDEF (“Edge ringing reduction”), restoration (“Adaptive detail recovery”), deblocking, sharpness
  • Quantisation matrix — perceptual weighting with min/max luma & chroma controls

Every slider: current value + description. “Temporal filter strength: 3 — Strong.” No documentation lookup needed.


7. Metadata — Total traceability

This is where Chromaster becomes a forensic tool.

Write Metadata

  • Write Topaz metadata toggle — TVAI processing tags injected directly into MKV
  • Write Chromaster metadata toggle — all encoding parameters injected into MKV

Four panels of truth

  • TVAI metadata (RAW) — the exact processing pipeline in plain text: models used, every parameter, every enhancement pass
  • TVAI metadata (JSON) — structured tree view: Themis v2, Aion v1, Proteus v4, Iris v3… each with full parameter breakdown (mode, revert compression, recover details, sharpen, reduce noise, dehalo, anti-alias, focus fix, add noise, recover original detail)
  • Encode command (RAW) — the full FFmpeg command line that will be executed. Nothing hidden.
  • Encode parameters (JSON) — structured tree of every Chromaster/SVT-AV1 parameter: version, rate control, structure, temporal filter, variance boost, psychovisual…

Bitrate in stream name — the output video stream is titled “AV1 20000”, so you can identify encodes at a glance in any media player.


8. Settings — CPU topology & application control

CPU Affinity

  • Visual AMD Ryzen topology — CCD1/CCD2 layout with individual core numbering and L3 cache sizes
  • Per-core assignment: click a core to assign Chromaster, remaining cores become workers
  • Workers mode: Single / Multi
  • Automatic CPU detection (AMD Ryzen 9 9950X 16-Core shown)

Processings

  • Parallelism — auto or manual thread control
  • Pass — single-pass or multi-pass encoding
  • Recode loop — from off to all frames

Application

  • Debug window — remote debug via user feedback
  • Auto-update — update dependencies automatically
  • Auto-search — search for dependencies nearby
  • Track language selector — set output track language (French, English, etc.)

9. Expandable Tab Bar

One more thing. The tab bar uses expandable parent tabs — “Size” expands into Crop + Resize, “Chromacity” expands into Chroma + Luma. Animated transitions, dynamic width reallocation, zero layout jank. Clean navigation across 8 content tabs in 6 visual slots.


10. Under the hood

Render engine

  • Plain C — gcc MinGW-w64 x64
  • Direct3D 11 — swap chain, texture upload, present
  • Direct2D — anti-aliased widgets, rounded corners, native AA
  • DirectWrite — subpixel text rendering
  • CPU framebuffer BGRA8 — graphs rasterized column by column, pixel-perfect, zero API overhead
  • Per-monitor DPI aware — adapts to any display scaling (100%, 125%, 150%…), positions and dimensions scale, stroke widths stay crisp

Zero GDI+. Zero garbage collection. Zero magic numbers in the entire codebase.

Built for TVAI workflows

  • Human-readable JSON model files — clean, documented, diffable, version-controllable. No binary blobs.
  • ITU-R BT.2100 HDR10 compliant output — correct SMPTE ST 2086 mastering display metadata, MaxCLL/MaxFALL, BT.2020 primaries, PQ transfer. No more broken HDR flags.
  • Full metadata injection — both TVAI processing history and Chromaster encoding parameters embedded in the output MKV.
  • Bitrate in stream name — identify encodes at a glance in any media player or inspection tool.

Code quality

  • Automated review passes on every change
  • Sanity checks and security audits
  • Optimization passes before release
  • Built-in debug window with real-time telemetry
  • 22+ custom widgets, each validated individually before integration

11. What’s coming next

  • Intel CPU widget — hybrid architecture aware, exploiting P-cores and E-cores separately for optimal worker distribution
  • HDR10+ and Dolby Vision output construction — dynamic metadata, not just static HDR10
  • Additional codecs:
    • H.266 / VVC via VVenC — the successor to HEVC. Half the bitrate, same quality. You read that right.
    • AV2 — next-gen AOMedia codec, day-one support planned
    • Apple ProRes — intermediate mastering format
    • FFV1 — lossless archival codec for intermediate mastering workflows


12. Download & requirements

Platform

  • Windows 10/11 x64

Dependencies (bundled separately)

Chromaster auto-detects installed tools and checks versions at startup. Enable Auto-search in Settings to locate them automatically.

Download

Chromaster v2.0.0 — single portable .exe, ~540 KB. No installer.

Status

Chromaster v2.0 — active development. Render engine, all widgets, full tab layout: functional. Working toward first public release.

One developer. No team.
Built because the tool I needed didn’t exist.

3 Likes

Now, the human at the keyboard.

If you want to download pre-compiled SVT AV1 directly, use this link or this page:

The same goes for FFmpeg; I use the gyanDev build, which is always the most up-to-date.

https://www.gyan.dev/ffmpeg/builds/ffmpeg-git-full.7z

The application requires FFmpeg 8.1 or later, as Claude Mythos discovered vulnerabilities in the previous version.

Regarding MKVmerge: it needs no introduction.

This is an alpha release: With so many features and no beta testers other than myself, it’s inevitable that some bugs will remain. Any feedback will be greatly appreciated.

All feedback is welcome, whether it concerns the GUI, features YOU’VE dreamed of, etc. I can add them if necessary.

Published only here! This application aims to be the ultimate power tool to use with Topaz Video or Video AI.

Also, please note that the application has undergone rigorous vulnerability testing with multiple AI models and advanced expertise.

I am not publishing the code at this stage to further minimize any potential attack surface.

1 Like

that sounds amazing. will look at it once i have some spare time!!

3 Likes

That’s great! I’ll give it a shot.

1 Like