I would do all your processing in Lightroom sending a version with shadows and highlights properly balanced and recovered. Make sure it is sent as an uncompressed TIF with ProPhotoRGB as the ICC Profile.
Hi Don, thanks for the quick response.
That is pretty much my workflow presently. The masking features of S2 are a sweet thing, and I was pondering how much shadow, highlight recovery there might be, if a ‘sweet spot’ file was used.
What does seem fixed is the very small amount of highlight recovery I can do in S2 either from an nef or tiff file.
The majority of my current work is wildlife, birds inflight in particular.
Like the Stabilise in Ai Sharpen, its rescued me a couple of time.